What research or perspectives challenge the universality and profitability of the Long Tail theory? (e.g., "blockbuster theory")
Hello, that's an excellent question! When the "Long Tail Theory" first emerged, it was like giving everyone working with niche products a huge morale boost. But later, people cooled down and realized things weren't that simple. Many studies and viewpoints have effectively poured cold water on it.
Let me break down the main critiques of the "Long Tail Theory" in plain language for you, especially focusing on the "Blockbuster theory" you mentioned.
Is the "Long Tail" Really That Sweet? Discussing Critiques of the Long Tail Theory
First, let's briefly recall what the Long Tail Theory is.
Think of it like a supermarket shelf. Physical supermarket shelves are limited; they can only stock the best-selling products (like Coca-Cola or Master Kong instant noodles), representing the "head." Online platforms (like Amazon, Netflix), however, have virtually "infinite" shelves where they can stock countless niche, obscure products (like a movie from a small country or a poetry collection printed in only 500 copies). The Long Tail Theory posits that the combined sales volume of these countless obscure products might surpass those of the few popular blockbusters.
Sounds wonderful, right? But reality dealt it several heavy blows.
Critique 1: "Blockbusters" Are the Eternal Kings (The Blockbuster Theory)
This is the most powerful, direct criticism of the Long Tail Theory, primarily put forward by Professor Anita Elberse from Harvard Business School.
Her view can be summed up in one sentence: Popular things get even more popular, while niche things... might stay ignored.
Simply put, the focus of business and culture hasn't shifted to the "long tail"; instead, it has become even more concentrated on the "head," the "blockbusters."
- Why is this the case?
- Human Nature is Social: We like to watch what everyone else is watching and talk about what everyone else is talking about. You watch Avengers: Endgame, and you can discuss it animatedly with colleagues the next day; but after watching a Latvian art-house film, you might not find a single person to share it with. This social need causes blockbuster movies and hit songs to snowball in popularity.
- Marketing Resources Are Highly Concentrated: Movie studios, record labels, etc., pour the vast majority of their budgets into projects they believe have the potential to become "blockbusters." Bombarded by ubiquitous ads, star interviews, and social media campaigns? You literally can't avoid them. Those small products out on the "long tail"? They don't get that kind of treatment.
- "Winner-Takes-All" in the Internet Age: The internet hasn't leveled the playing field; it might have actually intensified the gap. A top influencer can attract millions of followers, while countless small creators might not even reach a hundred. The "head effect" is actually more pronounced in the digital world.
An analogy: Netflix needs global blockbusters like Stranger Things or Squid Game to attract new subscribers, not the thousands of obscure old movies gathering digital dust in its library. Those old movies (the long tail) might be one reason you stay subscribed, but what lures you in is always the flashiest "signature dish" (the blockbuster).
Critique 2: The Long Tail is Long, But It Might Not Be Profitable At All
The Long Tail Theory focuses on "sales volume" and "variety," but what businesses truly care about is "profit."
- The Hidden Costs of the Long Tail: While the digital shelf space itself is free, maintaining a massive inventory does have costs.
- Data Storage and Management Costs: Servers storing vast libraries of songs, movies, e-books cost money, right? Tagging, writing descriptions, and categorizing each item requires manpower, right?
- Licensing and Royalty Costs: For example, on a music platform, adding one more song might mean another licensing fee. Even if that song gets played only once a year, the fee might still need to be paid.
- Opportunity Cost: Is it more profitable to spend effort maintaining 1,000 products that each sell only once a year, or to focus that same effort on promoting the one blockbuster product that sells 1,000 times a day?
Think of it this way: A product deep in the "long tail" gets clicked once a year and sells for $10. But the cost to store it on servers, handle bandwidth, and manage it might be $15. That's a loss, right? Many studies have found that the vast bulk of the long tail truly is "dormant inventory," often generating revenue that doesn't even cover its maintenance costs.
Critique 3: Algorithms Might Not Be Unearthing the Long Tail, But Entrenching the Head
A core pillar of the Long Tail Theory is the "recommendation algorithm," meant to help you find your niche favorites in the ocean of content.
But the reality is, many algorithms have a tendency towards the "Matthew Effect" – that is, "the hotter something is, the more I'll push it."
- When a video or song starts trending, the algorithm thinks, "Hmm, people seem to like this, so I'll show it to more people!" As a result, the hot content gets exponentially more exposure, while obscure content remains buried.
- This isn't because the algorithm is "dumb"; it's often the safest and most efficient commercial strategy. Recommending a proven hit has a significantly higher click-through probability than suggesting an unknown niche item.
Therefore, algorithms can, in some ways, become accomplices to "blockbusters," further solidifying the dominance of the head.
To summarize
So, the prevailing view now leans towards:
- The Long Tail Theory isn't wrong, but it was oversold. The long tail does exist and has created new markets, but its power and profitability are far less miraculous than initially imagined.
- Successful business models are a hybrid of "Head + Tail." You need "blockbusters" to attract traffic, build the brand, and generate most of the profits. Simultaneously, you need a rich "long tail" to satisfy personalized user needs, increase user stickiness, and make users think, "Wow, this place has everything, I'll be back."
- "Blockbusters" remain central to business strategy. For the vast majority of companies, going all-in to create a hit is vastly more important than maintaining a lukewarm long tail.
Hope this explanation is clear and helps you better understand the issue!